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Hemingway in Havana Visit this page on Tuesday, June 22 to listen with RealAudio. Havana vieja. Old Havana. An anachronism of '56 Chevys and Soviet-era jalopies cruising past the crumbling facades of 4-hundred year old buildings. Near the Catedral de San Cristobal, sweet songs spill out of a restaurant where musicians play for tips. Other Cubans, hit hard by the country's economic woes, peddle their wares to tourists: cigars, mementoes with "I 'heart' Cuba" carved in wood and T-shirts with Ernest Hemingway's face emblazoned across the front. Cubans claim Papa as one of their own. They adopted him after he adopted Cuba, where he lived for more than two decades. Here, as everywhere he went, Hemingway cultivated a reputation as a man larger than life: A figure who could out-drink an alcoholic and reel in bigger marlin than a professional fisherman. The legend lives on in old haunts that play up their status as Hemingway landmarks. Places like the Hotel Ambos Mundos, where Papa polished For Whom the Bell Tolls. It's just around the corner from the cathedral.
The hotel bellboy showed me the room late one night. Always the same room, he says. Fifth floor, on the corner looking out past the cathedral to the sea.
Just as he left it, says this part-time docent...Hemingway's typewriter, his books, photos of him with guns and fishing boats. But while Papa's room is preserved, the hotel has been remodeled. Rooms have phones, A/C, and CNN...a luxury in Havana. The prices reflect that...about 100 bucks a night. There's one bonus: Guests can visit Papa's room for free. Otherwise, it's two dollars. But if you want to see where Hemingway spent time when he wasn't writing or sleeping, my hotel guide suggests...
Stumbling distance from the hotel, La Bodeguita has all the charm of a tourist trap: an unfriendly staff; weak, overpriced drinks and a loud and lousy house band. Amidst the clutter on the walls is graffiti, supposedly written by Hemingway, claiming La Bodeguita as the best place in town for that wonderful rum concoction he loved so much -- the mojito. But some say the endorsement is a fake, that Hemingway just lent his name to the place as a publicity stunt for the bar's owner. La Floridita is a different story. This "cradle of the daiquiri" deserves a visit with or without the lure of Hemingway lore. Count the ways to quench your thirst. The chocolate daiquiri. The melon. Or...the "chicklet," which looks like a shamrock shake, and tastes like...gum. They're all good, but at six bucks a pop, well beyond the budget of an average Cuban. Papa kept the place in business, according to a dapper bartender in white slacks and a red jacket.
And he's still here...in the form of a commemorative bust marking his regular seat at the bar. And the eponymous cocktail.
Like La Bodeguita, La Floridita makes the most of its famous patron. Papa pictures dominate the wall near the door: Hemingway with Errol Flynn, Gary Cooper, Spencer Tracy. The photos make the place seem exclusive...a haven for movie stars. But that's another myth--revisionist history. As Hemingway wrote in a letter from Havana, La Floridita was more like a human Noah's Ark.
After years living in the Hotel Ambos Mundos, Hemingway bought a house nine miles outside the city, Finca Vigia. Watchtower Farm. Secluded by a tropical garden, the property provided plenty of room for Papa's four dogs and 57 cats. The modest house is a museum now. Inside, floor to ceiling books...8,000 of them. The heads of big horned mammals--safari trophies --stare blankly from the walls in almost every room. This is where Hemingway wrote. A Moveable Feast, Islands in the Stream and...The Old Man and the Sea. In 1954, that novella about Cuba and fishing won him the Nobel. And in a great p.r. move that cemented his place in folklore, he gave the prize medal to a local church, a kind of souvenir. From Hemingway's house, it was just 45 minutes to the Gulf Stream and the best fishing he'd ever seen. More than a sport, fishing was religion for Papa. An archetypal cycle of life and death.
That's a sentiment Gregorio Fuentes may have felt once upon a time. Some say he was the model for the fisherman in The Old Man and the Sea. He looks the part...right out of the pages of the book.
Fuentes was the captain of Hemingway's boat, Pilar, and his close friend. Their birthdays were a few of days apart, and they always celebrated with a bottle of rum. When Fuentes raises his glass this July, he'll be 102. I found him with his grandson at his house near the ocean, listening to a soap opera on the radio and smoking a cigar.
Fuentes is a living landmark on the Hemingway tour. Curiosity seekers pay money to talk with him and take pictures. I paid 20 bucks and tried to get beyond the myth, to find out if he was really the old man from The Old Man and the Sea. Absolutely, declared the grandson.
He recounts a tale familiar to Hemingway readers...a fish bigger than the boat, killed in an epic struggle, only to be eaten by sharks.
It was a great story. But it's probably not true. Hemingway biographers say Fuentes was not the man immortalized in fiction.
So perhaps this Old Man is just an old man. But then again, does it really matter? Because what is a writer if not a good liar, and what good is a fisherman who does not fib? And so Fuentes signed my copy of The Old Man and the Sea. A pen in one hand, the cigar in the other, burning the title page. Truth or fiction...it all boils down to a good travel story. And after all, a good story is one of the best souvenirs you can bring back from the road. In Havana, Cuba, I'm Jeff Tyler for The Savvy Traveler.
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